Monday, 11 May 2015

What I Expected: #WeAreTheWorld – African Remix



The sad side of being expectant is being failed. No one wants to be disappointed. I don’t like to be failed. Often, I keep an open mind but when disappointment comes when I didn’t seek its attention then I could be provoked. But I am not, today. I am having fun.  

You’ve probably seen the video for the African remix of the song, We Are The World. I have. I watched it on TV and proceeded to having a more carful listen on YouTube despite the impressive images of African music stars coming together to promote whatever cause it was they sang for or against.

At the end of the day, displayed on screen were some of the most dangerous threats Africa as a continent has faced. One of such is Ebola, followed by the most current incident in South Africa where some locals believed they were being marginalised and their jobs and women were taken away. And instead of sending these threats away, in one piece, they decided to have them murdered and photographed and sent in bits.

Sadly, no world leader condemned anything – at least outright-ly. There was an incident in Kenya were hundreds of university students were selected and killed if they were Christians. Unfortunately, they were Africans, they mattered less and the streets of Kenya or major African cities felt they were just a Kenyan affair. These youths, blossoming future of Africa, died painfully.
Someone in South Africa thought it wise, I presume, to have some leading voices from some prominent African countries come to persuade people to know more about Ebola, a virus which has been fought but seriously needed to be talked about. And too, they thought xenophobia, as in the case of South Africa, had to be addressed. Why stars barely put their monies where their mouth is has always been a surprise to me. People who drive in luxury cars always come to penniless people like me to ask for funds.

A lot could be achieved if some unused cars in the garage of these super men would be sold and same funds donated to fighting causes instead of wearing branded T-shirts to show how persuasive the voices are.

Talking about songs, a friend of mine, Chioma, a patron of the arts is dissatisfied with a re-enactment of an aged song. If the people who were called for the show were truly as talented as presumed, someone could have written a better song, an original son, which would address the current issue. And I am still thinking, what are we supposed to give for, the treatment of Ebola infected people or the funeral of those killed in South Africa?

Africa is too rich with inspiration; especially to have indulged in an over-flogged song: We Are The World. If the song has to be used, can’t there be some new flavour for it to suit the African situation? I mean, I needed some varieties. Imagine an Asa strumming her guitar in the beginning of the song and rendering the first few sentences. That’s something new.  Imagine the Ladysmith Black Mambazo doing some native lines. That’s some newness. Imagine the incorporation of the xylophone, something that is common in some African societies. Imagine the talking drum of the Yoruba people of Nigeria, or flute from the Igbo side.  I mean, there could have been so much in improvement than rendered. Why are we sometimes amazingly clueless?
I personally think the lyric is redundant. More could have been done by whoever called the shot. And I purposefully have refused to comment on Kecee’s and Emmy Nyra’s singings. Sean Tizzle should avoid things that would insult his career.



Bura-Bari Nwilo is writes from Nsukka, Nigeria. He is the author of Diary of a Stupid Boyfriend. 

Thursday, 7 May 2015

Music Video Review: “Wake Up” by PD Braide

Music Video Review
Song:               “Wake Up” by PD Braide
Director:        Kofi Zwana, Sara de Gouveia for Butterfly Films
Reviewer:       Bura-Bari Nwilo
This video is a collaborative effort – at least more than a person would be praise or flogged. The names of the directors are fairly new, to me. But South Africa, like Nigeria, has endless music video directors, making sound statements with every given opportunity. And on this conscious music, something I think would be uneasy for an everyday director who is concerned with drinks and erotic dances, the directors pulled it off successfully.  
Conscious music should be of its own genre. Oh. I guess it is. Wake Up is one or so I think. While I am less concerned with the lyric, though it is fundamental to what is on screen, the video makes me type.
Wake Up is a great escape from the many things we celebrate as music videos currently being played on TV. It is free of objectifying any lady who thinks she has some great body that has to be in my face. And yes the music has ladies, they are properly covered, sadly but I think it corresponds with the message of the song.
The directors are artistic. They paid good amount of attention to all that appeared on screen of this song. Everything is at rest until a call – clarion call is put out. The plays of incidents by the actors are complimentary. My best shots were the outdoor shots. I love it outside, where irrelevances are blurred and the real deal stays in focus. The shots taken on moving tracks worked. And the utter gaze of the ladies at the salon; that was another excellent one for me. There were a few close-ups that didn’t work for me, but since the artiste is fairly new, her face needs to get out there and I guess I understand it.
This video looks simple but it isn’t. The right elements in keeping to the lyric were properly done. Should you watch this video? Yes! You’d appreciate it.  

https://www.youtube.com/watch?v=NLxOdFVBmjg

Saturday, 2 May 2015

Call for Submissions


Call for Submissions


In November 2015, the world would mark twenty years since the murder of Nigerian writer and environmentalist, Kenule Saro-Wiwa. It has been twenty long years of re-echoing his ideals for the environment in the Niger Delta in the hands of the Nigerian government and oil giant Shell. His works has covered human rights abuses and painfully, it has been twenty long years since his absence from the literary scene.
To commemorate his death, you are invited to write about the Ken Saro-Wiwa you know or the one you met in a book, in pages of the newspapers, on the internet and on screen. The article or letter should not be more than 700 words. 
Articles may be in a form of letter to him or recollection of his many personalities. Essay is not strictly formal. Be creative.

Essays would be collected into a small book that would be entitled: 'The Road to Dukana; tributes and letters for Ken' that would be published and launched on 10 November 2015. Proceeds from the books would go into a project in remembrance of Ken Saro-Wiwa.

Deadline for submissions:  31 August 2015.
Submissions should be made to: RoadtoDukana@gmail.com
Note: Include brief and precise biography of yourself.



Note: Submissions would be acknowledged. 

Thank you